One Block Off Bourbon
The finger-snapping man
guiding people into
the nightclub with
slicked-back hair and
winning ways sits
on the toilet
head down drunk
old
tuxedo on a nail
as the street follows
him up the stairs
up the stairs
into his
room and down
the stairs down
the stairs into
the street
while
down the hall
in a room
five feet wide
and twelve feet long
with one wall green
and one wall purple,
yellow door and
window black,
I lie in bed
admiring
the baby roaches
that climb my walls
and wonder about myself
for liking them
as the lights
and the noise
and the knowing
all fade.
A Difference
Working in the 5 a.m. New Orleans shipyard, scraping the inner-hulls of monstrous river-gone grain haulers after the other midnight- ending job— orange rust showering below and beyond and upon us we pause to watch from fifty-foot ladders the Korean crew execute their militaristic assault upon their own spotless deck. So tiny! So fast! And strangely vicious. Yes, then. We return to our union-slow chiseling of rust, sweeping of water and hot private dreams of being fired and finally sleeping the sleep of the damned and the free.
After a rather extended and varied second childhood in New Orleans (street musician, psych-tech, riverboat something-or-other, door-to-door poetry peddler, etc.), Matt Dennison finished his undergraduate degree at Mississippi State University where he won the National Sigma Tau Delta essay competition (judged by X.J. Kennedy). His work has appeared in Rattle, Natural Bridge, The Spoon River Poetry Review, and Cider Press Review, among others. He currently lives in a 108-year-old house with “lots of potential.”